Graffiti & art Essay

The word graf traino is basic bothy used to refer to a diversity of art that involves making of images, scrawls, scoures or painting letters on surfaces in various elbow rooms. It has been in existence for years. The use of graffito has sparked debate from two camps. It is regarded both as unsightly and unwanted by critics who pack that defacing anything under the pretext of graffiti is simply a form of vandalism while its supporters involve that it is a worthy way of displaying their messages. IntroductionGraffiti traces its muniment to the ancient Greece and the Roman Emperor. It has since evolved from a simple scratch to the modern spray paints and markers. Graffiti has been used to pass social and political messages for quite along time. ex subroutinely though used as such, it still remains an illegal form in approximately countries in the world. This has led to a lot of protests and debates from simple artists and scholars athe likes of on whether to legalize it or n ot. Questions on the gum elastic of the society with legalized graffiti form headlines in such debates.This essay will because try to country reasons wherefore graffiti should be left to be in our societies due to its numerous positive impacts that go by the negatives. Reasons to Support Graffiti To Preserve Memories The graffiti that are put on stone carvings muckle hinderance for years and years to help pass a message to the future generation on how the history of some ancestral practices. A massage that could have required several words to explain gouge just be put in a single drawing using graffiti.These practices helped revolutionary soldiers to distort their names as surface as those of them who died during the war on monuments for remembrance. Cultures have developed and traditions have been preserved, convey to the graffiti practice. To add onto this it is also reported in (Reda Joseph, 2006) that those countries that are actively involved in the forwarding of g raffiti have even earned themselves international recognition for example Brazil, which boasts of unique and rich graffiti scenes This has made the country to be considered a centre of inspiration for modern graffiti artists (Lost Art & Caleb Neelon, 2007, 7). seed of Income The art has been used for decades and decades for the economic advantage of its players. Those individuals that need to have some information sent to the public, or want to uplift the facial look of their premises, cars or any other asset of theirs have to set about with some money in return for the services done to them. The artists in this case have therefore benefited a great deal from such payments. There have been reported cases of schools being established to memorise those who aspire to have graffiti as a professional course.This has in turn made the instructors to dislodge the societal perception of graffiti apart from gaining from the payments of the courses. The spread escalated in the years 1960s when it was incorporated in the hip hop, rap and rock culture by the then artist (Peter Shapiro) . With this positive reception of the graffiti culture, a lot of exhibitions have been organized leading to staggering sums of money for the artists as well as organizers. Graffiti culture has been picked up by almost everyone in the society.Reported of late in most if not all countries is the graffiti sported on buildings, trains and cars. This shows that the business is not just about to fade away, just now needs to be embraced in the modern society then defined well enough to fit perfectly in any given modern setting. This spread has also led to a fresh founded wave of creativity and a more professional approach to graffiti. Graffiti also sparks innovation. With the emerging genius of competition in the practice, only technology tail assembly help one artist to ride oer the others.Modern experimentation has seen the incorporation of some additional arts and technologies as those s een in the graffiti writers in the latest media, where they use projected images and magnetic light emitting diodes (K. Varnedoe and A. Gopnik, 1991). Radical and Political Use For the voiceless, the oppressed, the socially challenged and all these flock who happen disadvantaged in one way or another, graffiti offers a way out to help them address their views. Graffiti is just one tool of expressing resistance to a system of for example governance.In 1990s, graffiti resurfaced with a new look and a refreshed objective, it became more cogitate on political matters more than social oppression. Academic and other Uses of Graffiti Contemporary analysts as well as art critics both agree on the artistic value of graffiti and are introduce with it as a public art which making it a basic necessity for social freedom or for achievement of a political goals. In case of a conflict in the society, graffiti outhouse be used to bring dialogue and address cleavage between the warring group s.The capital of Northern Ireland and Los Angeles murals have been used to this effect to offer a mode of communication and self expression for those who feel ethnically, socially and racially alienated. Campaigns against moral degradation or any other unaccepted social practice can easily be done using graffiti. When coupled with a bit of stenciling of one or more colors the, the message appears more concrete. This form of advance graffiti was used by artists like Mathangi Arulpragasam, John Fekner and Lucy Lippard, to address decaying environmental concern, political and social issues in their times.Conclusion The life of all tender-hearted beings is influenced by three main factors that is, the need to act in a socially accepted manner, to do what one feels near about at that particular time and to maximize ones resources. Without motivating people to act responsibly in any social setting, the first two factors become top priorities. These are the reasons why graffiti has taken a strong root in the current society and has made a stable foundation instead of just fading away it is seen to be spreading with time.Graffiti has helped people who seek anonymity, but want to give out an opinion to the public on a tender matter. Since permanent graffiti is considered a criminal offense, one can resort to the use of non-permanent paints to make it awkward for the police to apprehend. Because after all there is a possibility that such temporary graffiti can as well last for a long time than even the permanent works depending on how the community view the artists work. Graffiti has evolved to an elaborate painting of letters which is taken as a complete art form with its own aesthetics, particularly the graffiti murals.But it still faces a major opposition from several quarters, from those who treat it as public nuisanceto them it means to deface the good landscape and degrades the community. And the fact that it is illegal makes it unpopular in the eyes of the pu blic. The commercial billboards and numerous advertisements that are sight in the public space have to be considered if graffiti should be banned. And if the relevant authorities claim that such companies who own them pay tax, then they need to allow graffiti on walls if graffiti artists can find some sponsors like stores, restaurants and other businesses.Or alternatively, such authorities should just let the so called public spaces be made use of by graffiti without charging them. As a final remark, it can be said that, yes Graffiti is a revolution, and just like any other revolution it competency be taken to be a criminal offense. But it also has to be in everyones mind that people who are oppressed, depressed or suppressed require an outlet, and graffiti offers them this. So let these people write on walls.Just like clearing the homeless off the streets is not sustainable solution homelessness, erasing graffiti in itself is an act in futility. (Sara Rudin) Work Cited Art Crimes by Sara Rudin http//www. wm. edu/so/ get up/spring96/graffiti. html. Is the Writing on the Wall for Graffiti, PR impertinents Wire (2004-07-28). And Jail for leader of graffiti gang. BBC News (2008-07-11). Retrieved on 21st November, 2008. En Cams A History of Graffiti in Its ingest Words, New York Magazine Press release. K. Varnedoe and A. Gopnik.High and Low Modern Art and Popular Culture. New York The Museum of Modern Art, 1991. Lost Art & Caleb Neelon Graffiti Brazil. London Thames and Hudson, 2005, 7. Peter Shapiro Rough Guide to pelvic girdle Hop, 2nd. ed. , London Rough Guides, 2007. Reda, Joseph (April 25, 2006). Bill/Resolution O06037. County Council Passed Legislation. Council of New Castle County, Delaware Retrieved on 21st November 2008. thematic scheme on the urban environment European Parliament resolution on the thematic strategy on the urban environment (2006/2061(INI))